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S
I bought four of these for use in a small local hall, used for small productions. We had no real theatre lights prior to this. We bought it along with a DMX controller. The lights were well packed, so no problem with transport damage. What I liked about these, from a safety aspect, is that they were a bit lighter than expected and came with a place to attach a safety wire. Once installed it was easy to program in the DMX addresses and connect to the controller. They have 7 functions in DMX mode: Red, Green, Blue and White intensity, a master dimmer, a strobe effect and a built in 'automatic show programmes'. It also has a twist on connection for the power cable, so no fear of the chord being disconnected.
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RM
Its a nice light but flawed
The barn doors don't turn, which makes them kinda pointless. The colour is pretty good but the white light isn't great. It's nicely made and has proved reliable
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RL
Great Cheap Canon PAR
These lights are great, small canon PAR cans for general stage, event and club work on a budget.
The colour gamut coverage and Colour Reference index results aren't perfect nor are these lights especially bright but they are cheap enough and sufficiently calibrated to allow a project team to purchase several of them and to be confident that they will be within an acceptable range of the required colour.
The colour gamut coverage and Colour Reference index results aren't perfect nor are these lights especially bright but they are cheap enough and sufficiently calibrated to allow a project team to purchase several of them and to be confident that they will be within an acceptable range of the required colour.
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FV
Interesting Wash-light
The colour-mix is nice, as is usual with COB-lights.
It's interesting to find a RGBW light that has a Warm instead of a Cool White.
The output of the Warm White on it's own is not bright enough though, which is a shame. If the Warm White would be double brightness, it would certainly be a no-brainer recommendation, even though it has a fixed beam angle (which is less interesting for theatre work)
It's interesting to find a RGBW light that has a Warm instead of a Cool White.
The output of the Warm White on it's own is not bright enough though, which is a shame. If the Warm White would be double brightness, it would certainly be a no-brainer recommendation, even though it has a fixed beam angle (which is less interesting for theatre work)
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