the t.bone EM 800 Stereo Set

389

Small Diaphragm Condenser Microphone

  • Stereo set, consists of 2 the t.bone EM 800's
  • Cardioid
  • 48V Phantom
  • Impedance 200 Ohm
  • 107 dB SPL
  • Frequency range: 20 - 20.000 Hz (0.1m -10 dB)
  • XLR connector
  • Incl. windscreen and microphone holders
Fås siden November 2001
Artikelnummer 149787
salgsenhed 1 stk
Battery Powered No
Directional Microphone No
Stereo Pair Yes
switchable lowcut No
switchable pad No
characteristic cardoid
679 kr
Inkl. moms. Obs! Yderligere fragtomkostninger 60 kr
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Produktet er på lager og klar til afsendelse.

Information om forsendelse
Forventet levering mellem fredag, 26.04. og mandag, 29.04.
1

389 Kundebedømmelser

4.4 / 5

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236 Anmeldelser

T
Super mikrofoner, lyder godt....
TOXBEAT 29.10.2021
Fine mikrofoner til optagelse af akustisk guitar, og også til overheads til trommer
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A
Utrolig lyd til prisen
Anonym 13.01.2017
Helt fantastisk lyd til prisen. God kvalitet og holdbarhed.
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J
Good for room and OH
Jørg 08.01.2024
They work well for both stereo room as cymbal OH’s
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google translate gb
Der opstod en fejl. Prøv igen senere.
C
Exceeding all expectations!
Colin2561 27.01.2014
My aim was to find a small footprint microphone that could be used on a Leslie cabinet.
I have used so many combinations over the years for the top and bottom but never really found the perfect combination.
I saw the EM800 on the t.bone site and got redirected to Thomann.
I figured for the price there would always be a use for them somewhere in the studio.
When I received the box I was first impressed by the little case and upon opening
it is really neat package all foam lined. When you hold the mic it has a very nice solid feel and a good weight and the finish is excellent.
The pop shield is a really nice fit and the XLR connection looks gold plated.
I immediately plugged it into my console and sent the signal out to the monitors.
I was really surprised. The feedback rejection was amazing. Just speaking into the mic gave a very flat and warm response with no eq.
I compared it to an AKG 451 and 414 and then an SM57. These little units have very little colouration at all. They just sound very full. I expected them to be thin and soul less. On the contrary they punch well above their weight and have a much sweeter low end that the 451.
I am not sure how they would fair in a live environment but for me in a studio application I think they will be the 'little gems'. When all others fail I think I will be reaching for these.
I have yet to put them on the Leslie but I know as a matched pair they will do the trick.
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