Lewitt LCT 040 MATCH stereo pair

171

Matched stereo pair microphone set

  • 2 Small diaphragm condenser microphones
  • Polar pattern: cardioid
  • Max. SPL: 135 dB
  • Sensitivity: 18.8 mV / Pa
  • Dynamic range: 115 dB (A)
  • Requires +48 V phantom power
  • Dimensions (Ø x L): 24 x 83 mm
  • Weight: 44.6 g
Myynnissä vuodesta Toukokuu 2019
Tuotenumero 467013
Myyntierä 1 kappaletta
Battery Powered No
Directional Microphone No
Stereo Pair Yes
switchable lowcut No
switchable pad No
characteristic cardoid
Condenser Microphone 1
Incl. Clamp 1
Polar Pattern Cardioid
Näytä enemmän
166 €
Kaikki hinnat sis. ALV:n
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llmainen toimitus. Arvioitu toimituspäivä Maanantai, 29.04. ja Tiistai, 30.04. välillä.
1

171 Asiakkaiden arviot

4.7 / 5

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Runner-up for best budget drum overheads
Stringmstr 14.09.2022
Tried these out in a recording session and they sure give all the budget-class favorites like Rode M5 a run for their money.

I noted that the mics have a pretty hefty boost in the AIR area around 5-10 KHz, so the energy in cymbals was a bit too much in the recording done in a badly treated room.

After EQ'ing out some of the harshness caused by the boost, the result was pretty great in the end. Don't get scared of that - every mic usually needs a bit of EQ post-recording, so I didn't mind it. The mics brought the hi-hat out really nicely, if that's something you need in your recording setup.

Also had great results recording acoustic guitars and piano, where the top end boost kinda worked out better than on cymbals.

Overall for the price, I don't think you can beat these on a budget. Rode M5's are about the same price and they offer a more balanced frequency response, but overall I think the Lewitt's have way better detail and soundstage.

Highly recommended, awesome mics for the price. But be wary of the the treble boost! :-)
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w
Pikkuruiset mikit
wiljo 01.07.2021
Tiesin ostaessa, että tämä on kooltaan todella pieni mikki, mutta silti yllätyin, kun avasin paketin. Pienen koon vuoksi kulkevat helposti mukana. Olenkin koittanut rakentaa itselleni helposti liikkuvaa äänityskalustoa ja tämä mikkipari on nyt olennainen osa sitä.

Olen äänitellyt näillä perkussiivisia ääniä, kelloja ja laulua/puhetta. Ääni on selkeä ja kirkas, ja joissain tapauksissa joutuu vähän leikkaamaan liiankin kirkasta yläpäätä pois jälkikäteen, mutta se nyt ei ole omassa käytössä suuri ongelma. 140 Air -malli on suurempi, ja siinä saa säädettyä äänen väriä suoraan mikistä, mutta en kokenut itse tarvetta tälle ominaisuudelle.
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google translate gb
Valitettavasti tapahtui virhe. Ole hyvä ja yritä uudelleen.
AD
Lovely pair
A D 11.07.2020
Clean and honest sounding with a hint of air. I mostly use these for recording accoustic guitar in an ORTF configuration.

They compare very favourably to much higher priced mics, and I can think of nothing better until you start spending silly money.
Build quality is good, clips are solid, and the little slip case may come in handy for some. Mics are nice and discrete due to thier small size too.

Some may find these lacking some minor features such as pad button, but these can handle serious SPL's so it's not really needed. No changeable capsules is to be expected at this price, but again not essential. The cardoid pattern is by far the most useful for my needs.

These are no-nonsense, great souding mics that are perfectly matched for stereo recordings of full range instruments such as piano, guitar, choirs etc, and would probably make awesome overheads for drums too.

Would buy again. So good that I'm now looking into other Lewitt mics to add to the studio.
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google translate gb
Valitettavasti tapahtui virhe. Ole hyvä ja yritä uudelleen.
MT
These mics do not work for me.
Mr Tea 02.03.2021
Problems appeared when trying to use these beautiful designed mics on the Zoom F6 field recorder. Hiss and whistle sounds appeared when turning the volume up, too bad too ignore. I tried to eliminate the problem by changing channels, cables and surroundings. Nothing helped. I contacted Lewitt, and they did send me a new pair of mics, which was really very nice of them. The new ones showed similar symptoms. I then read in a review that some old interfaces show problems with these mics due to their relatively high power consumption, and the old interfaces too weak phantom power supply. The Zoom f6 field recorder is a new model which works usually very well, but perhaps it has a similar problem? All my other 10 mics run perfectly on it. Finally I got the Lewitt LCT 040 mics running ok and without the hiss on a Behringer interface, but to be honest, their ordinary self-noise seems to be the highest of all cheap mics I own. This is not mentioned in most of those flattering reviews that made me buying them. No problem when recording a punk or metal concert, but quieter music? The positive: They have a clear and fresh sound, unexpected nice proximity effect but to my taste, a bit too hyped in the higher frequencies. The clamps and the stereo bar that followed the package are really nice and I will use and love them as if their where my own, but the mics are of no use for me. They do not work clean on my preferred equipment, the Zoom F6 recorder I am using the most.
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