I'm trying to be as impartial as possible with this one.
I absolutely love looking at it cause it's a gorgeous beast, even with the little cosmetic quirks. I also love playing it cause it's insanely comfortable. The neck, even though it's thick is actually amazingly comfortable (I suppose big credit goes to the satin finish). I have no problem with playing fast. I don't slap, so I can't give you a review on that, but probably it's not the best for it considering the 24 frets. Overall, it's very comfortable to play. No frets stick out, though it will probably still need a fret job, which is fine.
Setup wise, it didn't come perfect out of the box, no buzz but high action and bad intonation, which is also fine, but it is quite tricky to set up. The individual saddles don't have an intonation screw, so basically, every time you need to set the intonation, you need to loosen the string, and guess the saddle position, and then tighten the string again. I suppose that's the price you have to pay for smaller gap between strings, beauty and also the fact that you can fix them in place and make sure the saddles don't move.
Sound. It sounds very powerful. You can make it sound both warm or punchy. It's got an amazing range. It sounds great at band practice, through DI or amp or amp into DI, and not so much with my practice amp at home. So if you buy this as your first one and only have a tiny practice amp, just lower the preamp volumes, cause the output it has is a bit too much for a small amp/speaker.
So, for closing notes:
-tuners do the job;
-I suppose, the bridge, which is quite strange to operate.
I guess I will switch to an Ibanez or Warwick style. But I suppose this is just personal preference.
-some cosmetic quirks which I don't care about.
-can't play in a passive mode; the closest you can get to it is by moving the bass/treble knobs to the zero positions.
So, probably the best value for your money on the market. There is no similarly priced bass that can compete with this one.
Daniel P on 2017/10/31