TC-Helicon VoiceLive 3 Extreme

Miután a második TC Helicon Voicelive Touch2 is tönkrement, szerettünk volna egy harmadikat is venni, de már nem gyártják sajnos, így maradt az Extreme. Meg kellett oldani, hogy ez is a mikorofállványra kerüljön, mert a billentyűs folyamatosan tekergeti.
Megoldottuk.
Pénteken élesben kipróbáljuk.
Egyébként minőségi munka, külső tápos, jól programozható. Ennél már nem hiszem, hogy többet fog tudni valaha is.

I have been using VL3X for 1.5 years. I've played around 300 short (30 minutes) repetitions, about 75 long (3 hours) concerts with the VL3X and am satisfied. In my opinion, this is a unique and very useful device, that has no analogues in the world. I am an underground garage rock artist, vocalist and guitarist. The drummer plays with me. Most of our concerts are in small pubs, where 50 viewers are big deal.
And we use the VL3X backing track player to play bass guitar track. Very good internal memory - fits a lot of backing track's. I don't know, how much will fit backing track in this device, but I've already uploaded around 100 wav files. This is important, because I use backing track a lot - different in different concerts.
I write a review after reading the negative reviews. Some say, that VL3X are bad guitar amps. But this is not true. A clean brit, 4/12 crunch, scooped amp and tc dark matter overdrive - sounds good to me. There are many parameters that can all be fine-tuned, adjust as needed.
Automation is a great thing. I use it for guitar effects. When you switch from guitar rhythm to solo during a song, I write down the effect change in backing track automation. Very comfortable. No need to bother with effect alternation. You can focus on performance and communication with viewers.
In "do it yourself" underground rock festivals with minimal hardware, we use VL3X to process the lead vocals. Great for all punk rock and modern metal bands.
Some people complained about the VL3X failing fast. But it works for me, despite the fact that one night after the concert with the VL3X I fell on the asphalt. :) And nothing happened.
If there is any doubt about the operation of the device - then I just reboot the device.
Commentators curse VL3X factory presets. I don't use them, it's just a demo. But overall I use a lot of the vocal effects in VL3X, they are all useful. They need to be fine-tuned. Work with the VL3X will be a good task for the advanced audio engineer as well. And for us - rock'n'roll losers - it will take a long time. Combining effects, the VL3X is best for listening with headphones!
It should be understood, that once you buy a VL3X, you will not run with it on stage or repetition the same day - it will take at least a month to study, tune, adjust to your needs and your productions.

This pedal has so much potential, the vocal section is great. The room-sense feature is amazing. The looper is okay... but from the guitarist perspective, there are a some serious deal-breakers.

With all the connection possibilities provided on the back-panel interface, the looper playback can't be separated from live guitar (with effects).

After the guitar signal enters the pedal, it has to exit either via:
1) the "guitar through" or
2) the main output -- (XLR)
and/or
3) the guitar outputs (tele jack)

As expected, the guitar-through jack offers a clean signal. If you connect to your amp using this jack, no loops or effects will come through.

However, all recorded loops and guitar+effects will exit through the main outputs and/or the guitar outputs. If you do not connected anything to the guitar output, then everything (vocals, effects, loops and live playing) will exit through the main outputs. If you connect the guitar output, then guitar+effects and all loops will exit exclusively through these, while the vocals will exit via the main outputs. Loops cannot be separated from your live-guitar (with effects) output. This means your loops and backing tracks etc will play through your guitar amp and/or the PA system.

Any serious guitarist who has invested in a signature sound will want to use their amp exclusive for their guitar. The amp is, after all, part of their instrument. It's bad enough to share your guitar signal with the looper (and potentially live vocals), but if you use this pedal to record a clean loop and decide to turn on the amp distortion for a solo, the loop will then distort along with it.

(If you connect your amp to the guitar-through jack, then you can't use any of the built-in guitar effects. Even a two-channel amp will not help, unless you can separate the looper from the guitar+effects signal.)

Since your only option of not sending loops and vocals into your amp is to route the guitar signal through the guitar-through jack, this means that the built-in guitar effects will not help you save any space on your pedal board.

As for the guitar section, the compressor and reverb are great, the delay and chorus are basic, but the other effects leave a lot to be desired. The auto-wah is unpleasant. The amp simulations are far from realistic. There is far, far more to amp simulation than the fancy pre/post EQ system touted as the nut and bolts of it all. The one place where they could really have used such an advanced pre- and post-EQ is the overdrive, but no such option is provided. You get only one uncustomizable overdrive sound per preset over something that doesn't sound or behave anything like an amp. A rhythm sound usually needs entirely different tones from the solo, but this is not provided for.

If the deficient routing system isn't hardwired, hopefully, TC Helicon will see the light and create separate routing for loops vs live playing through a software update.