Audix OM7

182

Professionele dynamische zangmicrofoon

  • Hypercardioïde
  • Voor hoge SPL (over 140 dB)
  • Stabiele behuizing
  • Extreem feedbackarm
  • Voor extreem luide stage situations
Leverbaar sinds Februari 2003
artikelnummer 160140
verkoopseenheid 1 stuk
On/Off Switch No
Polar Pattern Hypercardioid
Colour Black
Cable No
Diameter 62 mm
Length 176 mm
Weight 307 g
Frequenzy Range from 48 Hz
Frequenzy Range to 19 kHz
Clamp 1
Bag 1
Toon meer
€ 239
alle prijzen incl. btw
direct leverbaar
direct leverbaar

Dit product is op voorraad en kan direct verzonden worden.

Informatie over de verzending
Levering zonder verzendkosten tot ongeveer Maandag, 29.04.
1

182 Klantenbeoordelingen

4.7 / 5

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107 Recensies

SM
The Ace of Space..
Sokla Mix 18.10.2014
Superding voor waar het een tikkeltje meer mag: heavy-metal, knallende rockconcerten, deze microfoon levert prima "veldwerk": helder fris in het hoog, mooi laag...elegante look

Met deze microfoon kan je de gain op je mengpaneel er makkelijk een kwart bijdoen zonder feedbackproblemen voor de lead en vocals die bij hardere muziek niet weg wel gecijferd wil door de instrumenten.

Zelf heb ik er zo'n paar,en vindt dit nog steeds een meerwaarde en aanrader voor vocals & lead van het hardere genre muziek!
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RS
Audix OM 7 No Feedback
Rudy Scafili 31.01.2024
I have used this mike on loud stages and had practically no feedback!
It is advisable to roll off the bass a little bit for a better transparency.
I have bouhgt a second one.
It's a mike you can trust
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
T
Really good for feedback rejection.
Tamtamtam 17.09.2020
I have been using this microphone live for a couple of years, I would guess at around 70 gigs. It is not the best sounding microphone maybe, but the feedback rejection is really amazing in my experience. It takes some getting used to since you have to be really close to the microphone because of the pick up pattern, but that is why it rejects other sounds on stage. But be sure to practice this, since the pick up pattern is so tight it can actually reject the sound coming from your nose if you have the wrong angle, resulting in a stuffed nose sound.

I use a lot of effects on my vocals and that is why it is important for me to not have any other sounds leaking in to the mic, especially in smaller venues where the acoustic treatment might not be the best and a lot of the out sound gets to the stage as well.

And the build quality is really fantastic, it has been through a lot and the grill doesn't even have a dent.

Like the slim design and the black grill as well, plus it is easy to clean.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
JJ
Love it
Joanna Jrmr 18.04.2019
Bought it beacuse of feedback problems in our small rehearsal room. We play LOUD metal and it was impossible for me to push vocals' volume through amps&drums because feedback occured directly (especially with reverb/delay). Also, I was hearing way too much of the instruments through my in-ears monitors.

Now all those problems are solved. I was a bit afraid about that extra gain required, but I don't really have more on the mixer that with my old SM58.
Also, it is very solidly made... and extremely aesthetic. Really love the design: all black, minimalist yet elegant curved lines. Wow!

Hovewer, it really requires some discipline from the singer. The angle has to be stable and I must almost eat the mic ;) but that is not a big price for the comfort of growling as I want.

Totally recommend for metal vocalists.
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