Behringer UMC404HD

1481

USB-Audio/MIDI Interface

  • 4x4 USB 2.0 Audio/MIDI interface with MIDAS Mic Preamps
  • 24 Bit
  • 192 kHz
  • 4x XLR/jack 6.3 mm Combo Mic/Line input with Pad switch and Clip/Signal LED
  • 4x Line output jack 6.3 mm/RCA (2x L/R)
  • Main output XLR/jack
  • 4x Insert 6.3 mm jacks
  • MIDI in/out
  • Switchable phantom power 48 V (for channel 1-4)
  • Stereo headphone-output 6.3 mm jack
  • USB port
  • Power supply connector
  • Zero-Latency Direct Monitoring
  • For WIN XP and Mac OSX or higher
Produkt dostępny od Kwiecień 2015
Numer artykułu 359076
Jednostka sprzedaży 1 szt.
Recording / Playback Channels 4x6
Number of Mic Inputs 4
Number of Line Inputs 4
Instrument Inputs 4
Number of Line Outs 6
Headphone Outs 1
Phantom power Yes
Number of S/PDIF Connectors 0
Number of ADAT Connectors 0
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Ethernet 0
Other Connectors No
MIDI interface Yes
Word Clock No
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 2.0
Width in mm 292 mm
Depth in mm 130 mm
Height in mm 45 mm
Connection Format USB port Type B
Included in delivery USB cable
Zero latency monitoring 1
Pokaż więcej
689 zł
Zawiera podatek VAT, nie zawiera kosztów wysyłki 49 zł
Dostępny za 2-3 tygodnie
Dostępny za 2-3 tygodnie

Produkt będzie za niedługo dostępny i natychmiastowo gotowy do wysyłk.

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w Interfejsy USB 

1481 Oceny klientów

4.6 / 5

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947 Opinie

s
Dobry interfejs - slaba jakosc wykonania
some.one 22.04.2020
za:
-wejscia/wyjscia
-dzwiek
-wyglad

przeciw:
-wykonanie ( interfejs padl po 3 miesiacach)

Szukalem w internecie i problem powtarzal sie dosc czesto. Troche sie zawiodlem na firmie behringer ( oprocz tego interfejsu mam od nich 2x TD-3 ktore dzialaja ok i w planach chce wziac kilka synthow od firmy behringer )
pzdr!
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Spoko sprzęcior
Rebelia 06.03.2024
Napewno jest to świetny sprzęt do rozpoczęcia produkcji muzyki. Dobry dźwięk, solidne wykonanie oraz możliwości które da się z niego wykrzesać napewno są warte tej niewielkiej ceny. Nie mam żadnych większych zarzutów, gdyż traktuję ten interface jako - wcześniej wspomniany - sprzęt dla początkujących
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google translate gb
Wystąpił błąd. Proszę spróbować później.
f
Beyond imagination for that price!
fommof 07.02.2020
So, I wanted a 4 input USB interface that could record at 48Khz/24bit 4 tracks at the same time without issues in order for me to digitize my master tapes from my 4 channel analoge track recorder.

Mind that I used to have a Scarlette 4i4 1st generation which I never had any issues but I sold it long time ago. I was just about to pull the trigger and buy the Scarlette 4i4 3st gen which costs more or less double the money, until I noticed that not only it had only two line ins (at the back) but since the 1st generation they removed 2 of the front preamps. So, I would have to connect 2 channels to the preamps and 2 channels to the line ins. These two groups of connections have different specs (impedence) so I didn't want to mess around and waist time with any of this.

I read a ton of revivews and although I had never bought any Behringer device worth of 15 euros or more, I pulled the trigger and bought one.

It looks sturdy enough, the manual contains only the basic information but apart from the routins, it is a simple device.

No problems with the Win10 drivers (built 1909) which is always a good thing. That's the only thing I downloaded from the Behringer site, by the way, I don't need anything else. One thing I am already missing is the Control/Mixing Panel of the Focusrite. Don't get me wrong, it's not something you must have, but it was a very good and useful thing to have and the Behringer software is kinda of poor gut it does the job (and when it doesn't do it, you can always set a few things from within the DAWs).

The interface got paired with my Presonus Eris E5, no problems, the E5's have been set to unity (half their volume) and the Behringer takes care of the rest.

I also use the AKG271's and this soundcard can drive'em without any problems (no need for headphone amp in this case).

Now, the important stuff.

The card is dead silent, its convertors "sound" great, I've already digitize quite a few of my material without any issues.

The Mix pot was a little bit odd to me at first (mixes the input sound and playback sound) but that's alright.

Line/Instrument and Pad buttons are very useful, no problems with the quality of the pots etc except that the Volume is way too close to the Mix and if you have big hands/fingers it might be a problem (well, not a problem but maybe a mild inconvinience).

All in all, at that price and with these specs, this might be one of the best purchases I've ever made. the price is ridiculous for what you get, absolutely ridiculous!

So, yeah, I am gonna go ahead and recommend this interface as if you are looking for a card with the specs it packs, you really can't go wrong with the 404HD.
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google translate gb
Wystąpił błąd. Proszę spróbować później.
z
Cheap, good and compatible with Linux
zebarnabe 22.02.2021
4 channel input/output USB Audio interface that is cheap in price but quite nice in quality, additionally it is plug and play for Linux (tested with Ubuntu 20.04).

The good:
The microphone inputs are quite clean, at least when using condenser microphones with phantom power (slightly more noise than in a SSL2 interface).
The headphone output has more than enough power to drive 250 Ohm headphones (tested Beyer Dynamic DT 990 Pro and DT 297 PV)
The knobs feel really nice, time will tell, but they feel a grade above the ones used in other Behringer consoles.

The quirks:
When monitoring, you can mix the inputs and the outputs with the MIX knob.
For the inputs you can listen to all of them at the same time, and stereo mix them as well by pressing the Stereo/Mono button.
However when monitoring the outputs for channels 3-4 (by depressing the Monitor A/B button) they are completely separated from the rest, including the inputs.

The less good:
The CLIP and SIG LEDs are useful guides, but you need to monitor your levels through software to set the microphones gain (at least until you know how they behave with the interface).
Line level inputs start distorting before clipping, make sure your signals are not too hot (even though they are not clipping distortion will happen), this seems to be more evident at higher frequencies.

The bad:
The line outputs are low, if you are connecting to a pro line level you might find the output insufficient, if you are connecting it to a PA or a mixer down the line, make sure you can pick something with a -10dB option for the level (and even then they might be a bit on the low side with the MAIN OUT at maximum level).

Overall the price leaves little to complain about.
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