Sennheiser E614

109

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Condenser Microphone:

Polar pattern: supercardioid
Very high sensitivity
Frequency range 40 Hz - 20 kHz
High SPL
Effective suppression of rear incidental noise
Excellent feedback resistance
Especially for overhead, hi-hat, woodwinds and string instruments
Phantom power 12-52 V/ 3 mA required

30 30 dias dinheiro de volta

3 Thomann garantie de 3 anos

Disponível desde Junho 2004

número de artigo 170601

unidade de venda 1 peça(s)

Battery Powered No

Directional Microphone No

Stereo Pair No

switchable lowcut No

switchable pad No

characteristic super-cardioid

Condenser Microphone 1

Incl. Clamp 1

Polar Pattern Supercardioid

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€ 189

IVA incluído, € 20 de portes de envio adicionais

Envio previsto até Segunda, 22.04.

Posição de vendas

em Microfones de condensador de membrana pequena

Bundles & ofertas

Sennheiser E614 Stereoset

€ 383

Eis o que compraram os clientes que visualizaram este artigo

33%

comprado

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the t.bone Ovid System CC 100

€ 49

comprado

Behringer C-2 Stereoset

109 Avaliações de clientes

5 76 Clientes 4 25 Clientes 3 5 Clientes 2 3 Clientes 1 0 Clientes

4.6 / 5

características

som

acabamento

Diretrizes de apreciações

54 Críticas

Bom Microfone

Eschotten 23.08.2017

Condensador de cápsula pequena super versátil, utilizei em HitHat, Violinos, Piano e tem se comportado muito bem. Tem uma tendência aos agudos. Por ser mais fechado, realimenta muito pouco em utilização ao vivo.

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Fedor I. 28.02.2020

I found the review on youtube, where this one is compared as a boom mic for voice application. And it was compared with Rode NT-1 and sound was pretty the same, so I was intrigued.

Now, after checking this mic out I can confirm, that it has a nice hypercardioid pick up and good to be used as a head-over mic up to 20-30 cm height or even higher, depending on the room treatment, which is good for streammers and those, who doesn't want to eat the mic all the time.

But here is one issue with low frequencies. This mic is very easy to go with an proximity effect and very fast it becomes overboosted in lows if the speak closer. Moreover, the extremelly high sensitivity to plosives, which can not be fixed with any pop-filer, makes it only possible to be used over the head. The only right way to use it for speach is to put it a bit higher, but this may depends on how bassy is your voice. In the other way it has a smooth frequency range, the same as NT-1 and I confirm - it picks up the voice just perfect as it was expected.

There is no high-pass filter also, but to cut low frequencies is not such a big deal in post. I've also purchased the shock mount t.bone SSM 5 and the windscreen t.bone WS50 - they suit this mic perfectly.

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SUPER WIDE SOUNDING MIC

elnegros 10.12.2020

I use these as DRUM OVERHEAD mic on my drums in my bedroom home studio.

I have recently began to record my drums, and this is the first time I am buying and using those kind of mic. First impression, I was overwhelmed by the wideness of the sound it captures. Never thought these little mics could be so impressive.

I have been recording my drums in my bedroom for almost a year now, with little space, I have been able to experiment with different mic placement, and never had and issue with them.

I also use them in live situation, and I would say that they are build strong. I hit one of them once , like really hard, and no issues so far. hahaHA...

Pros
I like the fact that it is very easy to instal and use. Generally these mics are fragile and you should be vigilant so as to avoid damage.
As far as I have been using them, they make me feel comfortable like no matter what they would do the job. Sometimes the engineer would forget to switch fantom power off on the mixer before plug in it.That happened more than once, and no issues so far

Cons

sometimes it can be a little agressive in the high end, but that's solved with a low pass filter.

Overall, It is a good mic for beginners to begin with, take their time to understand these type of mics and experiment. I recommend for studio and live setting.

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Workhorses

NyquistAudio 24.04.2018

After 58's and 57's, these are nearly always in my mic case as a very versatile mic that can be thrown at a range of instruments. Sturdily constructed and none of them has never let me down over the years, great quality sound you can rely on anything from use with choirs or overheads on drums and percussion. Great gain before feedback.

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