Superlux Pro 218A

214

Dynamic bass drum microphone

Super cardioid
170 dB SPL max
Frequency range: 20 - 10,000 Hz
Optimised frequency response for bass drum recording
Incl. Bag and microphone clamp

30 30 dias dinheiro de volta

3 Thomann garantie de 3 anos

Disponível desde Junho 2009

número de artigo 225254

unidade de venda 1 peça(s)

Condenser Microphone No

Polar Pattern Supercardioid

€ 69

IVA incluído, € 20 de portes de envio adicionais

Envio previsto até Segunda, 22.04.

Posição de vendas

em Microfones para bombo

Bundles & ofertas

Superlux Pro 218A Bundle

€ 75

Crie o seu próprio conjunto

a partir € 1.999

Até 8% de desconto

Eis o que compraram os clientes que visualizaram este artigo

59%

comprado

Este artigo exatamente

the t.bone BD 500 Beta

€ 99

214 Avaliações de clientes

5 103 Clientes 4 93 Clientes 3 17 Clientes 2 1 Cliente 1 0 Clientes

4.4 / 5

características

som

acabamento

Diretrizes de apreciações

101 Críticas

Para o preço EXCELENTE!

JoaoIW 12.07.2023

Comprei este microfone para utilizar no kick, o som e bom, cheio e definido. Recomendo para quem procura um micro de bombo a um preço/qualidade bom.
PS: também fica a matar num timbalão de chao!

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Bargain Mic

Anónimo 24.04.2016

I have had this mic for a while now, and have used it on a variety of instruments and voices in the process of testing it.

The build quality is impressive. The mic is nicely heavy, and the grille feels tight to the body. I don't imagine the mic would be easily damaged if cared for well.

I recently got the chance to test it against industry standards, the AKG D112 and the Sennheiser E602, on a nice kick drum in the studio. I recorded the three mics with the kick on its own and then again as part of a full kit performance to see how they compare in the mix.

First things first, the AKG and Senn both beat the 218A out in both tests, as can be imagined. Also note that I prefer the sound of the 602 to the D112 in general.

The Superlux is noticeably duller and boomier that the other mics, due to its mid scoop and bump in the bass. This means that dry, there was no question which I would use. However, with some clever EQ the dullness and boominess were corrected to within completely usable levels.

If you have the mentioned industry standards, don't be fooled, you will not get the same sound from this mic. However, if, as with me, budget is an important factor, you could consider this mic, knowing that it requires a bit of work to get the best from it.

I have not had a chance to test other budget kick mics in this price range, but I was impressed with the performance of this one, and consider it a worthy purchase for those on a budget.

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Very decent for the price

Andrew NeroH 13.07.2017

Has a nice bass frequency response.
I use it for bass drums and bass amps.

I also used it for making some foley effects for a short movie, which was nice for background effects and the mic doesn't pick up the high end, thus naturally sounding darker than condenser for example.

Speaking of which, it does sound quite dark I found, which is expected, but you'd need to play around with the EQ to get a good sound out of it. Then again, that's not necessarily a problem, I personally love EQing.

Anyway, a nice entry level mic.
If you're on a budget and you're into crafting your sound, you won't be limited by the capabilities of this mic.

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Great value at this price

Dowacam 11.07.2023

The performance is nothing special, but at this price range, it is excellent. Weighty mic, very solidly built. No quality concerns that I can see

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Dynamic bass drum microphone

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Dynamic bass drum microphone

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