Lewitt LCT 140 AIR

Considero que para el precio que tienen están mas que bien, de la misma gama he podido probar algunos que cumplen bien su función, pero el precio es más elevado, estos además de calidad, los ofrecen por un precio imbatible. En la construcción flaquean, desearía que fueran mas resistentes al tacto, quizá con un golpe o una caída pueda comprobar su durabilidad con mas exactitud, pero si es cierto que se ven mas endebles por ese lado, aunque con mucho tacto y cuidado pueden durar toda la vida.

Este micro ofrece la función realce de agudos que es muy útil al grabar guitarras acústicas. El pad atenuador de 12 decibelios y el roll off son útiles también. Para pequeña percusión como un shaker me ha gustado mucho. Cuando lo utilizo en platillos suelo quitar la función de realce de agudos por que me suena un poco falsa, aunque ésta hace que se entiendan mejor en la mezcla con los demás instrumentos.
En conclusión: si quieres que las guitarras acústica o clásica suenen claras obtendrás buenos resultados y sigo prefiriendo mis Km 184 de Neumann, los cuales utilizo en combinación con el Lewitt.
¡Me lo quedo!

I'm amazed! This little feather-weight condenser mic sounds like a miracle. It makes you feel like you just got away with a huge bargain, or maybe the guys at Lewitt made a mistake and put a much more costly diaphragm in this one.

No, seriously, you have to give it a chance. A huge thanks to Warren Huart at Produce Like a Pro for the hint.

I previously used a Rode Nt1 or an Aston Origin for recording acoustic guitars. I've also tried a SM57. However, after trying virtually any position on those three mics, I could never come up with a sound that I actually liked.

The reality is: you CAN record an acoustic with a large diaphragm mic, or with SM57, and I'm sure it can be done rather well, especially if you posses a very expensive mic, but a small diaphragm is especially made for this purpose. The fact is: this sorts of mics don't pick up much bottom-end, so it's virtually impossible to get bass booming, unless you place the mic directly in front of the sound, a few inches away, I guess.

This little wonder also has an high pass filter, however, just to make sure. You can disable it if you don't need it. It can also be used with drums and there's an attenuator for that purpose, which takes off 12 Dbs "for distortion-free recording of high SPL instruments" (says the instruction manual).The sound function lets you switch between "Air" (a little boost on the high frequencies) or "FLAT" (as in flat Eq).

I'm not going to elaborate further on the quality of sounds this little things is capable of, because, really, it's stunning. Comes with a mic clip, a bag and a little windscreen.

Pros
-Unbelievable price/quality ratio
-Clear, crisp sound and Acoustic guitars
-Lightness

Cons
-None
Pros

Out of the box, this mic feels surprisingly light, which was slightly disconcerting, but so far this has not posed any problems. All the switches are affirmative and secured correctly. So overall, no complaints. Seems to be solid.

Mainly I'm using this mic to record handheld percussion and acoustic guitars so far. It seems to me to give a very forward, present sound and works really nicely with some light compression. Noticeably more complimentary than other similar mics I have. (akg c1000 v1)

It also has really good side and rear rejection. This is the biggest bonus for me. Obviously important in untreated rooms, and live use. In the mix, you really hear whether the difference is. I seemingly have more detail apparent, and things sounds more polished before I apply any eq.

So a really nice mic in my drawer. No doubt after more time working with it and comparing to my other mics, I'll find things that it's weaker on and the others might do better. But all in all, a great mic. If you only have room/need/budget for 1 mic for recording. This will do you handsomely.

Now here's my only gripe, and hence the deduction of 1 star overall. I have no use for the 'air' feature. In my application, it just makes everything brittle sounding. I've only tried it on acoustic guitar. Without the air setting, fantastic. With it engaged, to my ears at any rate, it adds nothing I want.

So that said, I would still heartily recommend this mic. For some applications the Air setting must be good, indeed I've heard demos where it seems to add a lovely shimmer. But it's not something I'm using, but this does not put me off at all.